This video specifically discusses how you as a Composer can use different meters to build and release tension (the 2 most essential “ingredients” that exists in all great music). So without further hesitation, please make Zack feel welcome and enjoy the video!
Amazing... incredibly helpful. I never thought of specifically creating tension in this way, also it opened my eyes to the realm of creativity from playing around with mixing different time signitures and groupings. This has to be the single most helpful and effective video i've seen in a long while.
Well done, this makes a lot of sense. I can use this even in blues. The odd meters are not so useful in blues, but the idea of using tempo changes to build and release tension is applicable to blues soloing. Good stuff, thanks for sharing.
i REALLY don't like his guitar
i don't get it but i guess it's a good idea
it probably plays in tune much more but honestly i can't handle that many strings as well as those weird
he seems like a nice guy
any1 else notice that a lot of guys that are into really heavey stuff are not what you'd expect
I believe his guitar is ... simply UGLY .. it's kinda pink , weird fretboard ... UGLY .... but the lesson is great for my songwriting , thx mister with big beard and pink guitar
its a friggin multiscale men!!! and no its not as "hard" to play on as a regular guitar... keeps your hand from cramping or straining... more natural in other words
Y the hell would u need a 8 string guitar? Wat would ya even tune that to? I mean a 7 string makes sense to me, but 8 string? Wat the hell? ::confused::
Bout the lesson tho, it's given me lot to think bout. I usually use 4/4, but it might be cool to learn to use some other time signatures. I have no idea how I'd use them in solos tho. I can too many notes in a bar sometimes, so it's already confusin.
Zack Uidl is a professional guitarist, studio/session musician, instructor, and composer in the Chicago-land area. He is in high demand for performances, both live and in the studio, instructing, and for his compositions for film and other projects. Zack has taught several clinics, master classes, workshops, and seminars including the internationally acclaimed Camp Jam. He is one of the founding members, songwriters, and guitarists for the progressive metal band Thoughts Betrayed. He currently is an instructor both privately and at JCs Guitars in Algonquin, Illinois. Zack also is a highly acclaimed author of online lessons and articles on numerous instructional websites. Zack has studied with the best guitarists in the industry including Tom Hess, Zvonimir Tot, Mike Walsh, Jody Fisher to name a few. He has also studied advanced music theory, piano, and other instruments as well. He is a highly regarded clinician, author, and performer.
Has anybody else realized how much we all seem to be obsessing about his guitar and beard?
Anyways, this was an awesome lesson. I don't personally like his style, what with the unusual background sounds that sound like they are from a keyboard, but still, AWESOME player.
The multi scale fretting seems like it must be terrible for each strings compensation.
rockhardmetal wrote:
Y the hell would u need a 8 string guitar? Wat would ya even tune that to? I mean a 7 string makes sense to me, but 8 string? Wat the hell? ::confused::
Bout the lesson tho, it's given me lot to think bout. I usually use 4/4, but it might be cool to learn to use some other time signatures. I have no idea how I'd use them in solos tho. I can too many notes in a bar sometimes, so it's already confusin.
Bigger range.
didn't know it was that hard to think about.
gotta love extended range guitar haters but it makes sense, you think outside of the box, you're kicked out of the box.
sorry bout the off-topic, this lesson is pure win. I lost count how many times I saw it, and it keeps being fresh and wonderfully informative. Thanks Kole and Zack !
I instinctively wrote a song with a meter grouping of 6/8 for the intro then (5/8 + 5/8 + 5/8 + 6/8) for the second half, then a bar of 4/4 as a break between the intro and lead into a 4/4 Verse, chorus and then into a breakdown, which has a single bar of 1/8 which you don't even notice it's on this channel if you want to listen to it *DEFEATIST* CHECK IT OUT! (Please don't judge the vocals, we've kicked out the screamer and are now looking for someone better for us)
I've also written a song which switches between 5/4 and 6/8 quite fluidly all the way through the song *HOURGLASS*
Not to promote myself, but instead to show my style of writing. Thanks guys, This lesson was really informative, what's this guys full name?
Is that a Sherman?