Hello everyone and welcome back to “Songwriting 101.” In the last video we dealt with the unique topic of “Alternate Tunings.”
Today’s video is theory based and on the topic of “Diatonic Chords in a Major Key.” If you’re not sure what some of those words mean, then this video is for you.
Kole, could you make a video about the basics like you said at the begining of this... or at least point me in the right direction if there aren't enough responses?
you should had put a lesson on intervals first, even just an introduction.. But still, it's a good lesson to start with composing.
Good job, Keep it up.
pretty cool. it reminded me of this. i had a freind who taught me this but diddent tell me the name of it. well, i got the baisic strucure at least. so now i know just that much more. thanx. im starting a binder full of music theory. i dont understand matrixes. if any body who reads this knows or if kole knows, quote this or email me at mattfinnell104@live.com
I have maintained for years that keys are merely methods of identifying conflicting notes and it is all about the RELATIONSHIP that note has to the scale.
Thanks for watching the video and I'm glad to see that the majority of you learned something and enjoyed it. Do feel free to ask me questions if you have any.
lauren1 wrote:
Kole, could you make a video about the basics like you said at the begining of this... or at least point me in the right direction if there aren't enough responses?
I'm not sure if enough people would need a video on this, but I'd be happy to do one if there are. However, if you'd like to know more about the basics then I would recommend you visit ( www.thenextstepguitar.com ) and go to the lessons section. All the lessons are free and contain a lot of great info.
P.S. One of my fav. progressions: I - iv - iii - V or C - Am - Em - G
not to sound like a dick. but this doesnt seem anything more than confusing. dont get me wrong. im not a beginner i felt you werent fluent with the directions. constructive critisism ?
1 they should know diminished it is your vii0 chord
for anyone that doesn't understand what the hell he is talking about it's because he didn't explain much to you
here i posted this in the mt forum but you need to know this to follow him if you have no previese expierience. and if you did you wouldn't be able to sit throught this video
you start wi the major scale
you make it by counting tones W= whole tone H= half tone
a whole tone is 2 frets
a half tone is 1 fret
the formula to make the major scale is :
WWHWWWH
we will use C maj for simplicity. the bold is the scale
C Db D Eb E F Gb G Ab A Bb B C
WWHWWWH
or C C# D D# E F F# G G# A A# B C
WWHWWWH
so the Cmaj scale is CDEFGABC
this is what is know as a diatonic scale. meaning there is 7 notes and each note must be a different letter. there are only 7 different letters but 19 notes in the cromatic scale
intervals
intervals represent a note. and define what is hapening to a note within a scale.
the intervals for the major scale are
CDEFGABC
1234567
when speaking in proper terms we would call these the following
C-1-perfect prime
D-2-major second
E-3-major third
F-4-perfect fourth
G-5-perfect fifth
A-6-major sixth
B-7-major seventh
C-8-perfect octave
and octave is the same note played 1 pitch(i think that is the right word) higher
sometime we augement (sharpen, #) or diminish (flatten, b or bb) various notes to make chords or fit the scale to a chord
C = perfect prime or diminshed second
C#/Db =augmented prime or minor second
D = major second or diminished third
D#/Eb = augmented second or minor third
E/Fb = major third or diminished fourth
E#/F = augmented third or perfect fourth
F#/Gb = augmented fourth or diminished fifth
G= perfect fifth or diminished sixth
G#/Ab = augmented fifth or minor sixth
A = major sixth or diminished seventh
A#/Bb = augmented sixth or minor seventh
B/Cb = major seventh or diminished octave
C = perfect octave or diminished ninth
these intervals continue over and over technically
you will notice the perfect intervals 1 4 5 8 are only flattened(b) once to become diminished where as the major intervals 2 3 6 7 are flattened(bb) twice to become diminished
there is a general rule that you do not double augment an interval. it is ok for a note such as F# to becaome aumented or sharpend to F## but we do not want it to be F###
general chords for a mojor progression are
Major(M) always capital when writing
minor(m) always lower case when writing
diminished(dim0) always lower and supposed to be followed by a degrese symbol but my comp can' do that
now for chords
this is how you form the simple triad chords we will be using staying wiht the key of C
Major intervals 1 3 5
minor intervals 1 b3 5
diminished 1 b3 b5
you must remember that when making a chord in the key of Cmajor only a C chord will use the C major scale. if you wanted Dmin for example you would need to forn the chord with the intervals listed above from the Dmaj scale, b3 giving it the minor tonality
to stay in key with Cmaj we must use the same notes as Cmaj in all our chords(for now cause we are just learning)
there is also a formula to stay in key in a major progression it is
Major minor minor Major Major minor diminished
so to stay in key we would use the chords
CMaj Dmin Emin Fmaj GMaj Amin Bdim0
so using these chords resolving back to Cmaj you would use the Cmaj scale
whenever I play the B chord in the key of C major, I play it like this x2343x, I use that shape in other keys too, such as F# in the key of E minor, I also like taking the chord progression C D Em, in the key of Em, and adding in diminished chromatic passing chords, C, C#dim, D, D#dim, Em
I think the lesson was decent, but you need to play more!
The best way to make someone understand something is to SHOW them not TELL them, especially musically, you can explain each chord and show the progressions much more easily just through sound than with words...
my progression.